Claudio monteverdi - miroslav venhoda - missa da cappella - ricercar - audi domine hymnum - deus in n


Lasciatemi morire!
E che volete che mi conforte
in così dura sorte,
in così gran martire?
Lasciatemi morire!

In fact, Monteverdi’s first position when he left home in the early 1590s was as a string player at the court of Mantua. This court was ruled by the Gonzaga family and which, together with the nearby city of Ferrara, happened to be right at the centre of the most progressive developments in the late 16th-century madrigal. Both Mantua and Ferrara had specialist groups of female singers and this encouraged a change in the textures of madrigals. So we find a trio of high voices dominating several works (‘Quel augellin che canta’ - below - and ‘O come è gran martire’ among others) in Monteverdi’s third and fourth books of madrigals.


Claudio Monteverdi - Miroslav Venhoda - Missa Da Cappella - Ricercar - Audi Domine Hymnum - Deus In Nomine TuoClaudio Monteverdi - Miroslav Venhoda - Missa Da Cappella - Ricercar - Audi Domine Hymnum - Deus In Nomine TuoClaudio Monteverdi - Miroslav Venhoda - Missa Da Cappella - Ricercar - Audi Domine Hymnum - Deus In Nomine TuoClaudio Monteverdi - Miroslav Venhoda - Missa Da Cappella - Ricercar - Audi Domine Hymnum - Deus In Nomine Tuo

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